A Composition (1930s) – Mainie Jellett Irish Art Print

€72,00 EUR

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Size 30x45 cm / 12x18″ 40x60 cm / 16x24″ 60x90 cm / 24x36″ 100x150 cm / 40x60″

Frame No Frame Black Wood White

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Created in the mid-1930s, A Composition shows Jellett's abstraction at its most fluid and organic: arcs of crimson, orange, emerald, violet and deep navy intersecting in harmonic motion. The rhythm remains systematic — built through the translation and rotation of forms she developed with Albert Gleizes — but the movement is looser and the palette wider, hallmarks of her mature style.

Mainie Jellett (1897–1944), born in Dublin, trained under William Orpen before studying in Paris with André Lhote and then Albert Gleizes, whose non-representational, highly geometrical painting proved a strong influence. With her friend Evie Hone she exhibited the first abstract paintings shown in Ireland in 1923, and went on to co-found the Irish Exhibition of Living Art. The original hangs in the National Gallery of Ireland.

About the original

Artist: Mainie Jellett (Irish, 1897–1944)
Title: A Composition
Date: 1930s
Medium: Oil on canvas
Dimensions: 62 × 92 cm
Signed lower right: Mainie Jellett
Collection: National Gallery of Ireland — purchased 1968 (NGI.1874)

Sizes & Format

30x45 cm / 12x18″
60x90 cm / 24x36″
Available framed (black, white, wood) or unframed

Print & Frame Details

Archival matte paper, 250gsm (110lb), acid-free and FSC-certified — off-white, uncoated. Framed prints: solid oak or ash wood frame, 20mm thick, with shatterproof protective glazing. Ready to hang, hanging kit included. Unframed prints up to A4 ship flat; larger sizes ship rolled in a protective tube.

Free Worldwide Shipping

Framed prints are packed with protective corners and wrap, boxed with reinforced edges, and braced with internal supports for extra rigidity (max 3 frames per package). Every order ships free, made to order and delivered from the hub closest to you: Ireland 3–7 business days · UK 4–8 · USA 5–10 · Canada 6–12 · Australia 7–14.

Hangs well with

Gleizes taught Jellett a procedure rather than a style: translate a shape, rotate it, repeat. Each of these is that procedure run again.

See the whole set — Mainie Jellett

Framed in black, natural wood or white, or unframed. Printed on archival matte paper and made to order.

Frame options and sizes

Frame finishes

Black — ash
Natural wood — oak
White — ash

All frames are 20 mm deep, made from responsibly sourced timber.

Glazing

Shatterproof clear acrylic — lighter than glass.

Paper

Archival matte paper — uncoated, off-white, acid-free and FSC-certified. No gloss, no laminate.

Sizes

30x45 cm / 12x18″ — Unframed, black, natural wood, white
40x60 cm / 16x24″ — unframed only
60x90 cm / 24x36″ — Unframed, black, natural wood, white
100x150 cm / 40x60″ — unframed only

Hanging

Framed prints arrive ready to hang, with a hanging kit for portrait or landscape. Unframed prints arrive without a frame — up to A4 ship flat, larger sizes ship rolled in a protective tube.

Care

For indoor use. Keep out of direct sunlight and away from damp. Dust with a dry cloth; wipe the acrylic with a soft, slightly damp cloth.

Shipping

Free worldwide shipping. Made to order and sent from the production hub closest to you — Ireland 3–7 business days, UK 4–8, USA 5–10, Canada 6–12, Australia 7–14. Framed prints are boxed with protective corners and internal supports.

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