• An Indian Lady, perhaps Jemdanee, by Thomas Hickey, woman in pink seated on a cushioned couch
  • Detail of An Indian Lady by Thomas Hickey showing the woman in a pink shawl and gold jewellery
  • An Indian Lady framed print in a natural oak frame on a dark green wall beside a window, dappled plant shadow
  • An Indian Lady framed print in a black frame leaning against a white plaster wall on oak floorboards in morning light
  • An Indian Lady framed print in a white frame on a plaster wall above an oak worktop in a bright Scandinavian kitchen
  • Framed fine art print of Thomas Hickey’s An Indian Lady, perhaps Jemdanee — archival print with classic black frame
  • An Indian Lady by Thomas Hickey framed print in a white wood frame, front view
  • Thomas Hickey's An Indian Lady unframed print, portrait of a woman beside palm trees
  • An Indian Lady by Thomas Hickey in a thin white frame, straight-on view
  • An Indian Lady by Thomas Hickey framed print in a light oak frame, front view
  • Thomas Hickey's An Indian Lady, perhaps Jemdanee, in a natural oak frame, straight-on view
  • Framed fine art print of Thomas Hickey’s “An Indian Lady, perhaps Jemdanee” — archival print with classic small black frame
  • An Indian Lady by Thomas Hickey unframed print, seated woman in a pink sari with a scenic background
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An Indian Lady – Thomas Hickey Art Print

An Indian Lady – Thomas Hickey Art Print

€79,00 EUR
€79,00 EUR
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Thomas Hickey

40 × 50 cm (16 × 20 in)

Frame
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Thomas Hickey was an Irish portrait painter who spent significant stretches of his career in Calcutta and Madras, working within British colonial society in India — this portrait reflects that cross-cultural career directly.

About this work

An Indian Lady was painted in 1787 by the Irish artist Thomas Hickey (1741–1824), born in Dublin, who worked in Calcutta and later travelled to China with Lord Macartney's embassy. The National Gallery of Ireland titles it An Indian Lady, perhaps 'Jemdanee', Bibi of William Hickey — the hedge is the gallery's own, and the sitter's identity is not settled. The original is oil on canvas, 102 × 127 cm, and hangs in the National Gallery of Ireland (NGI.1390), presented in 1959. This print is an open edition, made to order and shipped worldwide.

Framed in white, black or natural wood, or unframed. Printed on archival matte paper and made to order.

Frame options and sizes
Frame finishes
  • White — ash
  • Black — ash
  • Natural wood — oak
All frames are 20 mm deep, made from responsibly sourced timber.
Glazing
Shatterproof clear acrylic — lighter than glass.
Paper
Archival matte paper — uncoated, off-white, acid-free and FSC-certified. No gloss, no laminate.
Hanging
Framed prints arrive ready to hang, with a hanging kit for portrait or landscape. Unframed prints arrive without a frame — up to A4 ship flat, larger sizes ship rolled in a protective tube.
Care
For indoor use. Keep out of direct sunlight and away from damp. Dust with a dry cloth; wipe the acrylic with a soft, slightly damp cloth.
Shipping
Free worldwide shipping. Made to order and sent from the production hub closest to you — Ireland 3–7 business days, UK 4–8, USA 5–10, Canada 6–12, Australia 7–14. Framed prints are boxed with protective corners and internal supports.
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